Anyway, I hope this comic helps put you all into the holiday spirit. (Click to enlarge if you have to). Enjoy!































He was even inspired to make a small statue of Mickey. He'd attend as many showings of Steamboat Willie as he could in order to get a good idea of Mickey's construction. Once completed, he said that he would like to make many more of these statues and maybe try to sell them. His aunt heard this and said, "you can't just up and do that, you need permission from whomever owns the character first." So, since he lived in San Diego, it was only a short drive to Los Angeles for him and his aunt and then to the Disney studios. When Walt took a look at that statue, he was not only inspired to start the Disney merchandising division (which of course still exists today) but also grant the 16 year old Bob a job. "Right now we're in the middle of moving to a bigger facility," Walt said. "But, when everything is finally up and running, you're guaranteed a job there, young man."
Luckily, the Leon Schlesinger studio had a position open so Bob took that one instead. Since he was new and quite young, he was under thumb of Hugh Harman, Rudolf Ising, Friz Freleng, and a few hack directors Leon had hired from Disney. Thankfully though, Bob along with Chuck Jones and several other disgruntled underlings were reassigned to Termite Terrace when Tex Avery joined the studio. It was there that these men would revolutionize animator for the better forever. Some of Bob's
accomplishments at Warner Bros. were the creation of Tweety, the co-creation of Daffy Duck, and the refinement of both Porky Pig's and Bugs Bunny's designs.
This show would win several Emmys and create a huge following to boot (even attracting such high profile fans as Groucho Marx and Albert Einstein). Not only that, it introduced some puppeteering techniques that would be incorporated into the Muppets a few years later. I have no information as to Jim Henson's opinion of Bob Clampett's work, but I do know that muppeteer Dave Goelz (best known as the voice of Gonzo) cites Time For Beany as an influence.
Time For Beany would become an animated series called Beany & Cecil in 1962.

























